I Need You

Remastered 2009

I Need You

From Wikipedia, the free encyclopedia

I need you sheet music.jpg

Cover of the Northern Songs sheet music

Song by the Beatlesfrom the album Help!Released6 August 1965Recorded15–16 February 1965StudioEMI,


I Need You” is a song by the English rock band the Beatles from their 1965 album Help! It was written by George Harrison, the group’s lead guitarist, and was the second composition of his to be released by the Beatles. The track appears in their film Help!, in a scene filmed on Salisbury Plain where the group were under military protection from a bumbling cult.

Harrison wrote “I Need You” about Pattie Boyd, the English model whom he married in January 1966. Recorded in February 1965 at the start of the sessions for Help!, it features the Beatles’ first use of a guitar volume pedalTom Petty and the Heartbreakers played the song in tribute to Harrison at the Concert for George in November 2002.

Background and inspiration

George Harrison presented “I Need You”, along with “You Like Me Too Much“, for consideration for the Beatles‘ second feature film, Help!, in early 1965.[2] Before this, he had struggled to complete a song since the band recorded his first composition, “Don’t Bother Me“, for their 1963 album With the Beatles.[3] In a September 1964 press conference, Harrison said he had written three “bits” of songs, but nothing “whole”.[4] George Martin, the band’s producer, attributed his lack of productivity to the fact that “none of us had liked something he had written”, and Harrison had felt disheartened.[5][6][nb 1] He subsequently resolved to ensure that his occasional vocal spots on the group’s albums were his own compositions rather than Lennon–McCartney songs or cover versions.[10] According to biographer Gary Tillery, Harrison’s creativity was most likely inspired by his habitual marijuana use, a legacy of the Beatles’ first meeting with Bob Dylan in August 1964.[11]

Harrison wrote “I Need You” about his girlfriend Pattie Boyd,[12][13] whom he met in March 1964 while the Beatles were filming A Hard Day’s Night.[14] Their relationship provided Harrison with a sense of calm amid the frenzy of Beatlemania; for Boyd, however, the jealousy of the band’s fans was confronting.[15] The song’s lyrics address a time when she left Harrison.[16][nb 2] Shortly before recording the songs, Harrison routined “I Need You” and “You Like Me Too Much” with John Lennon at the latter’s house in Weybridge.[17] The pair worked together into the early hours of the day of Ringo Starr‘s wedding to Maureen Cox,[17] which took place on 11 February 1965.[18]


As recorded by the Beatles, the song is in the key of A major.[19] Its distinctive lead guitar cadences were achieved by using a volume pedal[20] and through common guitar suspended chords in the key of A. These form the introduction and most of the verse of the song and give a quasi-modal effect relieved in the verse by a line in the relative minor, the whole making a fourteen-bar ternary verse-structure. This, after a repeat, segues easily into a second bridge melody, which is based on a simple IV-V-I chord progression that passes through the dominant key to resolve back on the verse.[1]

The song has characteristics typical of Harrison’s writing style in its syncopated melody line[21] and melodic idiosyncrasy.[22] According to author Ian Inglis, “its rhythmic and tonal structures clearly identify this as a Harrison song, but it is also, indisputably, a Beatles song.”[23] Musicologist Dominic Pedler recognises an interesting feature in the use of an imperfect cadence (resolving on A major) in the climax of the bridge (on “I just can’t go on anymore”) which uses II (B7) and V (E7) chords.[24] The verse-chorus also employs what Pedler terms a “delaying tactic” in alternating between vi and iii chords (over the lines “Please come on back to me / I’m lonely as can be”) before again returning to A.[25]

The lyrics serve as a rare example of Harrison embracing the standard boy–girl themes of love songs.[22] According to musicologist Alan Pollack, they show Harrison “at his absolutely most vulnerable” and convey a “bitter-sweetly mixed tone of plaintive, terminal desperation”.[1] Harrison states his confusion at his girlfriend’s decision to leave him, expresses his sadness without her, and begs her to reconsider. In Inglis’s view, the singer’s candour, combined with the upbeat tempo and other qualities in the Beatles’ arrangement, ensures “it is not a hopeless situation”, and the listener can be sure that the girl will return.[23]


The Beatles recorded “I Need You” at EMI Studios (now Abbey Road Studios) in London on 15 and 16 February 1965.[26] These were the group’s first recording sessions of the year[20] and also produced “Ticket to Ride” and “Another Girl“.[27] All three tracks were included in Help!,[28] filming for which began in the Bahamas on 23 February.[29][30][nb 3]

The song marked the Beatles’ first use of a guitar volume pedal.[20][32] This tone-altering effect was a precursor to the wah-wah pedal and had recently been played by session guitarist Big Jim Sullivan on Dave Berry‘s UK chart hits “The Crying Game” and “One Heart Between Two”.[33] Harrison’s adoption of the pedal typified his search for new sounds for the Beatles, and for colouring that was empathetic with the group’s material.[34][35] He played the part on his Rickenbacker 12-string electric guitar[36] and soon used the effect again on “Yes It Is“, a similarly emotive Lennon composition.[37] Musicologist Walter Everett recognises the volume pedal’s presence on “I Need You” as the most important example within the band’s work, with every chord given the “flautando-like” sound, and “multiple articulations” appearing throughout the song’s coda.[38] Citing a comment later made by Harrison, Everett says that “I Need You” was possibly one of the tracks where the pedal control was operated by Lennon, kneeling down on the studio floor, while Harrison played the guitar part.[38][nb 4]

In the 2006 book Recording the Beatles, the authors highlight the song as an example of the “warm, full sound” that EMI’s Telefunken M10 four-track recorder was able to capture.[40] Journalist Kit O’Toole recognises the song’s lead guitar effect and other folk rock qualities as having been influential on the Byrds, whose sound in turn would influence the Beatles.[16]

Film sequence

Harrison performing the song in Help!

The film sequence for “I Need You” was shot over 3–5 May[41] and consists of the band miming to the track on Salisbury Plain in Wiltshire.[42][43] Since the start of filming for Help!, events had taken place that distanced the Beatles, particularly Harrison and Lennon, from the public image they were expected to uphold in the feature film,[44] and were exerting a profound influence on the band’s thinking.[45] Among these incidents, Harrison was introduced to Indian philosophy in the Bahamas when a local swami gave each of the Beatles a copy of The Complete Illustrated Book of Yoga;[46] he and Lennon, together with Boyd and Lennon’s wife Cynthia,[47] had their first experience with the hallucinogenic drug LSD, in late March;[48] and Harrison encountered an Indian sitar for the first time while filming a restaurant scene in London in April.[49] In Tillery’s description, 1965 was the most “pivotal” year in Harrison’s life, as LSD opened the door to his enduring quest for spiritual enlightenment[50] and Eastern philosophy provided a means to escape the demands of Beatlemania.[51]

The Help! sequence was filmed near Stonehenge.

The “I Need You” sequence depicts an outdoor recording session,[43] with a makeshift control booth and microphones set up in an open field.[52] Further to the film’s premise that Starr was being targeted for assassination by a mysterious cult,[53][54] the Beatles perform under the protection of the British 3rd Royal Tank Regiment,[55] surrounded by soldiers and Centurion tanks.[42][56][nb 5] Although it was spring, the weather was unusually cold,[43] and the sequence shows Starr shivering behind his drum kit.[16]

The premise and the level of security afforded the band mirrored the adulation they received in real life, at the height of Beatlemania.[42][58] Media theorist Stephanie Fremaux comments on the imagery employed by director Richard Lester in his harsh editing and shots of soldiers and weaponry to convey a sense of threat, and how this is furthered by the Beatles’, and particularly Harrison’s, apparent hostility and avoidance of eye contact with the camera.[58] Film historian Stephen Glynn highlights a shot that features Harrison in profile, singing into a metallic microphone, and the corresponding gun barrel of a tank as an example of Lester making “visual parallels between the tools of the musician and the military”. Another example, according to Glynn, is an aerial shot of the band encircled by six tanks that cuts to a close-up of the fretboard of Harrison’s guitar, with the focus soon changing to reveal Stonehenge in the near distance.[59][nb 6]


Help! was released by EMI’s Parlophone label on 6 August 1965,[60] with “I Need You” sequenced as the fourth track between “You’ve Got to Hide Your Love Away” and “Another Girl“.[61] Martin said the song “worked out very well” and considered it an important step for Harrison. He added: “He has got something to say as a songwriter, and I hope he keeps it up.”[62][nb 7] Other than “I Need You”, all the songs in the film were Lennon–McCartney compositions. As the end credits stated this on screen, a voiceover from Harrison repeatedly said, “‘I Need You’ by George Harrison!”, increasing in volume each time.[67]

The album and film enjoyed major commercial success around the world.[68] In music journalist Jon Savage‘s description, the summer of 1965 “belonged” to the Beatles’ Help! “multimedia campaign”, which comprised the “Help!” hit single as well as the film and soundtrack album.[69] In Willy Russell‘s 1974 play based on the Beatles’ history, John, Paul, George, Ringo … and Bert, “I Need You” was sung by Brian Epstein‘s character in response to the group’s decision to retire from touring in 1966.[70] The Beatles’ recording of the track appeared on the 1977 compilation album Love Songs,[71] issued by EMI to exploit the band’s catalogue seven years after their break-up.[72][nb 8]

Critical reception

Among Beatles biographers, Jonathan Gould describes “I Need You” as a “modest, mild love song” that sounded “a lot like the efforts of other contemporary songwriters to write in the style of Lennon and McCartney”.[74] In Mark Hertsgaard‘s view, the track is “a catchy pop tune” that showed how Harrison “had now matured into the kind of pleasantly stylized, if innocuous, songwriter that Lennon and McCartney had been in their early days”.[75] According to Alan Clayson, “for all its simplistic libretto and suspensions à la ‘One Heart Between Two'”, the song was “more immediately attractive” than some of the Lennon–McCartney songs on Help![42]

Writing in the 2004 edition of The Rolling Stone Album GuideRob Sheffield described “I Need You” and “You Like Me Too Much” as “the finest George songs known to man”. He viewed Help! as the band’s “big step forward” in its exploration of themes such as “doubt, loneliness, alienation, adult sexual longing” and said that for Harrison’s persona relative to Lennon and McCartney, “the Quiet One got Smart as well as Cute”.[76] By contrast, PopMatters editor John Bergstrom featured the song in his 2009 list titled “the worst of the Beatles”. He said that “I Need You” justified statements subsequently made by Lennon, McCartney and Martin that until late in the Beatles’ career, Harrison’s songwriting presence was limited in accordance with his talent and experience, and he dismissed Harrison’s vocal on the track as “flat and tentative, even as the lovelorn lyrics are sincere” and his use of the guitar volume pedal as rudimentary.[77]

Reviewing the remastered Help! that same year, for Paste magazine, Mark Kemp said that “Harrison surfaces here as a formidable songwriter, taking center stage on ‘I Need You’ and ‘You Like Me Too Much’.”[78] According to Stephen Thomas Erlewine of AllMusic, while the two Harrison compositions pale beside Lennon and McCartney’s songs on the album, “they hold their own against much of their British pop peers.”[79]

Cover versions

Tom Petty (pictured in 2012) performed “I Need You” at the Concert for George.

George Martin included “I Need You” on his 1965 album of instrumental versions of Beatles songs, also titled Help![80] The Sunshine Company recorded a version, arranged by George Tipton, for their 1967 Imperial Records LP Happy Is the Sunshine Company.[81]

Tom Petty and the Heartbreakers performed “I Need You” in tribute to Harrison at the Concert for George in November 2002.[82] Its inclusion provided a rare departure from the concert’s program of the best-known songs from Harrison’s career as a Beatle and a solo artist.[83] Petty and his band played the song in a style that Ian Inglis recognises as typical of the Byrds,[82] whose initial sound was inspired by the Beatles,[84] particularly Harrison’s use of 12-string Rickenbacker guitar.[85][86] Inglis describes Petty’s interpretation as “an uncannily accurate reconstruction” of the Byrds’ mid-1960s style, with a “clipped vocal delivery” reminiscent of Roger McGuinn, harmony singing, “chiming” guitars, and a slower tempo than on the Beatles’ recording.[87]

Former Journey vocalist Steve Perry covered “I Need You” on his 2018 album Traces.[88] Perry said that the Beatles had recorded a bossa nova-like version but had not done justice to the song, which deserved to be “a bigger sort of R&B pocket thing”. He recalled that he sought approval from Olivia Harrison, Harrison’s widow, before releasing his interpretation and was relieved when she told him, “George would have loved this version.”[89]


George Martin kept notes during the session that documented the unusual arrangement, which was:[90]


  1. ^ Music critic Richie Unterberger says that Martin was possibly referring to “You Know What to Do“.[5] The Beatles taped a demo of the song in June 1964,[7] after completing the recording for their album A Hard Day’s Night.[8][9]
  2. ^ Some writers have claimed that he wrote it in the Bahamas while separated from Boyd (during the filming of Help!), but the Bahamas scenes in the film were shot a week after the song was recorded.[12][14]
  3. ^ In a radio interview in April, however, Harrison stated that he was unsure whether either of his two songs would appear in the film.[31]
  4. ^ In a November 1964 interview for Melody Maker, Harrison praised Sullivan as a guitarist, saying: “Jim Sullivan – he’s a knockout. I wish he’d show me how he does it. I’ve never met him and I’d like to one day.”[39]
  5. ^ The band also filmed the sequence for McCartney’s “The Night Before” at this time.[57]
  6. ^ Glynn views this imagery as indicative of the Beatles’ standing as “the new focus of a nation’s worship”, in place of the ancient stones of Stonehenge, while the “frightening underbelly of Beatlemania” is reflected in the murderous cult that pursues the band, replacing the adoring fans from A Hard Day’s Night.[59]
  7. ^ Harrison again employed syncopation in his Rubber Soul track “If I Needed Someone“,[63] although the lyrics were a marked departure from the innocence of “I Need You”.[64] It was also his first song to reflect the influence of Indian music.[65][66]
  8. ^ At the first Beatles fan convention held in the UK, in December 1976, one of the highlights among the items of memorabilia was the suit worn by Harrison when filming “I Need You” on Salisbury Plain. The suit sold at auction for an unexpectedly high £200 (equivalent to £1,450 in 2019).[73]


  1. Jump up to:abc Pollack, Alan W. (1992). “Notes on ‘I Need You. Soundscapes. Retrieved 22 May 2020.
  2. ^ Tillery 2011, pp. 31–32.
  3. ^ Clayson 2003, pp. 179–80.
  4. ^ Winn 2008, p. 253.
  5. Jump up to:ab Unterberger 2006, p. 96.
  6. ^ Womack 2017, p. 249.
  7. ^ Everett 2001, p. 248.
  8. ^ Winn 2008, p. 186.
  9. ^ Lewisohn 2005, pp. 44–45.
  10. ^ Clayson 2003, p. 179.
  11. ^ Tillery 2011, p. 31.
  12. Jump up to:ab Turner 1999, p. 78.
  13. ^ Williamson, Nigel (February 2002). “Only a Northern Song”. Uncut. p. 60.
  14. Jump up to:ab MacDonald 1998, p. 129.
  15. ^ Tillery 2011, pp. 30–31.
  16. Jump up to:abc O’Toole, Kit (28 March 2014). “Deep Beatles: ‘I Need You,’ from Help! (1965)”Something Else!. Retrieved 30 May 2020.
  17. Jump up to:ab Clayson 2003, p. 180.
  18. ^ Miles 2001, p. 188.
  19. ^ MacDonald 1998, p. 450.
  20. Jump up to:abc Lewisohn 2005, p. 54.
  21. ^ Everett 2001, p. 284.
  22. Jump up to:ab Leng 2006, p. 18.
  23. Jump up to:ab Inglis 2010, p. 5.
  24. ^ Pedler 2003, p. 95.
  25. ^ Pedler 2003, p. 76.
  26. ^ Miles 2001, p. 189.
  27. ^ Unterberger 2006, pp. 118–19.
  28. ^ Everett 2001, pp. 281–84.
  29. ^ Robertson 2002, p. 12.
  30. ^ Tillery 2011, p. 159.
  31. ^ Winn 2008, p. 313.
  32. ^ Hertsgaard 1996, p. 128.
  33. ^ Clayson 2003, pp. 181–82.
  34. ^ Leng 2006, pp. 14–15, 17–18.
  35. ^ Williamson, Nigel (2018). “The Beatles 1960–65”. Uncut Ultimate Music Guide: George Harrison. London: TI Media. pp. 6, 8–9.
  36. ^ Winn 2008, p. 296.
  37. ^ MacDonald 1998, pp. 129–30.
  38. Jump up to:ab Everett 2001, p. 285.
  39. ^ Robinson, John, ed. (2018). “MM 07/11/64”. Uncut Ultimate Music Guide: George Harrison. London: TI Media. p. 19.
  40. ^ Ryan & Kehew 2006, p. 221.
  41. ^ Miles 2001, p. 195.
  42. Jump up to:abcd Clayson 2003, p. 182.
  43. Jump up to:abc Barker, Geoff (9 March 2009). “The Beatles on Salisbury Plain”BBC Online. Retrieved 27 May 2020.
  44. ^ Robertson 2002, p. 17.
  45. ^ Glynn 2013, p. 103.
  46. ^ Tillery 2011, p. 33.
  47. ^ Bray 2014, p. 178.
  48. ^ Savage 2015, p. 114.
  49. ^ Miles 2001, pp. 192–93.
  50. ^ Tillery 2011, pp. 32–33, 47.
  51. ^ Jackson 2015, pp. 164–65.
  52. ^ Fremaux 2018, p. 62.
  53. ^ Gould 2007, pp. 274–75.
  54. ^ Jackson 2015, p. 161.
  55. ^ Winn 2008, p. 317.
  56. ^ Robertson 2002, p. 16.
  57. ^ Turner 1999, p. 76.
  58. Jump up to:ab Fremaux 2018, pp. 62–63.
  59. Jump up to:ab Glynn 2013, p. 102.
  60. ^ Miles 2001, p. 203.
  61. ^ Lewisohn 2005, p. 62.
  62. ^ Womack 2017, pp. 248–49.
  63. ^ Everett 2001, pp. 284, 318.
  64. ^ Leng 2006, pp. 18–19.
  65. ^ MacDonald 1998, p. 150.
  66. ^ Bray 2014, p. 267.
  67. ^ Sheffield 2017, pp. 47–48.
  68. ^ Glynn 2013, pp. 95–96, 104.
  69. ^ Savage 2015, p. 48.
  70. ^ Rodriguez 2010, pp. 300, 302.
  71. ^ Badman 2001, p. 214.
  72. ^ Rodriguez 2010, p. 343.
  73. ^ Badman 2001, p. 199.
  74. ^ Gould 2007, p. 266.
  75. ^ Hertsgaard 1996, pp. 128–29.
  76. ^ Brackett & Hoard 2004, pp. 52–53.
  77. ^ Bergstrom, John (12 November 2009). “The ‘Worst’ of The Beatles: A Contradiction in Terms?”PopMatters. Retrieved 21 May 2020.
  78. ^ Kemp, Mark (8 September 2009). “The Beatles: The Long and Winding Repertoire”Paste. p. 59. Retrieved 27 June 2017.
  79. ^ Erlewine, Stephen Thomas. “The BeatlesHelp!AllMusic. Retrieved 22 May 2020.
  80. ^ Womack 2017, p. 271.
  81. ^ “Billboard”. 30 September 1967.
  82. Jump up to:ab Inglis 2010, p. 125.
  83. ^ Leng 2006, p. 309.
  84. ^ Miles 2001, p. 218.
  85. ^ Jackson 2015, p. 168.
  86. ^ Clayson 2003, p. 162.
  87. ^ Inglis 2010, pp. 125–26.
  88. ^ Ling, David (5 October 2018). “Steve Perry – Traces album review”loudersound.com. Retrieved 25 May 2020.
  89. ^ “Steve Perry Says He ‘Got the Blessing’ of George Harrison’s Widow to Reimagine the Beatles’ ‘I Need YouBlabbermouth.net. 23 August 2018. Retrieved 25 May 2020.
  90. ^ Ryan & Kehew 2006, p. 389.
  91. ^ Winn 2008, p. 295.


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